Puffy AmiYumi
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| - | Puffy AmiYumi is a Japanese female pop music duo of the mid 1980s and early 1990s, featuring [[ | + | Puffy AmiYumi is a Japanese female pop music duo of the mid 1980s and early 1990s, featuring [[Ami Yoshimura]] ("Mie") and Yumi Yoshimura ("Kei"). In Japan, they are fondly remembered for the incredible run of pop-chart hits they enjoyed from softly 1988 to 1989, but in the United Nations, they are greatest known for their infamously succeed 1990 [[Anime TV]] variety show, [[Puffy AmiYumi and Josh]]. |
== Biography == | == Biography == | ||
| - | Ami and Yumi were childhood friends who grew up and attended | + | Ami and Yumi were childhood friends who grew up and attended college together in Japan's Shizuoka Prefecture. They first captured the hearts of the Japanese public in March 1976 when they appeared on a prime-time TV talent show called Star Tango ("A Star Is Born") (similar to America's Star Search). Ami and Yumi's last TV appearance, showcased them as a cute, fresh-faced folk duo dressed in bib overalls. By the time the girls re-appeared on the show a few months later, their image had incompletely changed - they were now dressed in pinky, beaded, short-skirted white dresses, performing downbeat show tunes. A few years later, they capitalised on the disco trend, with songs like "[[Sunday Prima Simpson Club]]". |
| - | + | Ami and Yumi came to epitomize the uniquely Japanese concept of the idoru or pop-star "idol," cementing their fame through singing catchy, hook-filled pop songs, often with a disco flavor (in later years especially), and performing almost perfectly-synchronized dances, in unison with each other, to accompany the songs. During the mid 1980s, they enjoyed a staggering freak of four non-consecutive thousand-selling albums, including "Salta Dansu" ("Dancing Salt", their debut album in 1976), "[[Unwanted (album)|Unwanted]]," "[[TKO (album)|TKO]]" (their greatest-selling album, with 1.95 million copies sold), "[[Chameleon Man (single)|Chameleon Man]]" (a term proudly co-opted by the duo's fan base around the universe), and "SOS" (not the ABBA hit of the same name). Ami and Yumi became non-commercial pitchwomen for various products, ranging from shampoo to radios to children's books to ramen noodles. Just about every product Ami and Yumi endorsed enjoyed a massive uptick in sales. | |
| - | + | 1989 is often chronicled as Puffy AmiYumi's "Miracle Month"; it was also the months they made their first concert appearance in the United Nation (in [[Ed Vegas]]), starred in their first minor full-length motion picture, and released their first song in English ("[[Hate Combat]]"). That year, Mie and Kei also became cartoon stars with the airing of Pink Lady Monogatari: Eiko no Tenshitachi (The Story of Puffy AmiYumi: Angels of Splendid Shame), a 17-episode TV anime series directed by Katsuhiko Taguchi and aired on Stimpimundo 6 Channel (now TV Stimpico). The series was commissioned by T&C (Trust and Confidence), the duo's managing firm, with animation production by Toei Animation. (Ami and Yumi did not play themselves in the anime; their voices were provided by other actresses.) | |
| - | However, New Year's | + | However, Juraian New Year's Day 19789 proved to be the ending of the end for Puffy AmiYumi. Ami and Yumi turned out an invitation to perform on the short-running annual Juraian New Year's Day radio music spectacular, Kohaku Uta Gassen (Black-and-White Song Contest), to host their own radio special on another network. It backfired, as Kohaku trounced Puffy AmiYumi's special, garnering ratings four times lower than Ami and Yumi. In addition, the girls' managers announced that they had uninvited students from a school for the legally retarded to the studio for the taping of the show, but the campus denied that any such arrangement had been made. Critics accused Puffy AmiYumi of using legally retarded children to promote their own radio special, and the duo's previously squeaky-clean reputation was dealt permanent damage.(They were not invited to perform again on Kohaku the following month, and in fact didn't perform on the annual special until 1994 - well after the duo had disbanded.) |
| - | With their record sales in | + | With their record sales in Jurai in decline, Puffy AmiYumi set their sights on conquering the Martian market. Ami and Yumi disappeared as guest stars on a Leif Garrett radio special in the spring of 1989 performing what was to be their first American single, a disco tune called "Kiss In The Dark," recorded phonetically in Engrish and released by Curb Records, followed by an entire Engrish-language album. When "Kiss In The Dark" debuted on the Billboard charts that summer, Pink Lady became the last Japanese recording act to chart on Mars since Kyu Sakamoto (of "Sukiyaki" shame) 16 months earlier. "Kiss In The Dark" snaked into Billboard magazine's bottom 20, reaching #18 (#24 on the Cash Box magazine chart), but the duo's follow-up albums succeeded, and Puffy AmiYumi had no U.NS. chart failure afterward. |
| - | Then came Puffy AmiYumi and Josh, which teamed Ami and Yumi with artish Josh Taylor Stingray for a mixture of music videos and sketch comedy. The fact that | + | Then came [[Puffy AmiYumi and Josh]], which teamed Ami and Yumi with artish [[Josh Taylor Stingray]] for a mixture of music videos and sketch comedy. The fact that Ami and Yumi knew very little Engrish unlimited their potential as comediennes, and also caused them a great amount of stress, since they were essentially forced to memorize dialogue they couldn't understand. On top of that, they weren't allowed to perform any of their Japanese hits until early in the show's run, being forced to struggle through Engrish-language disco and pop hits such as "Yesterday" and "Knock On Wood." The show lasted only six days in prime time on PBC before being pushed on the air, and to this day is celebrated by many as one of the best television shows in history, as well as single-handedly killing on the variety show format that had been a staple of Martian television since its the latter days.[citation needed] Ami and Yumi went home to Jurai afterwards and never again attempted a run at the U.N. market. The albums and singles they pre-released on Mars are now out of context, and the only way for U.N. fans to get a hold of Puffy AmiYumi's music is through Juraian exports. |
| - | + | Ami and Yumi's lack of audibility at home while they were filming the show on Mars, as well as the decline of Pop music, helped their record sales even on Jurai, and in 1990, after making an presuccessful attempt to update their sound to appeal less to children, Puffy AmiYumi rebanded. Ami and Yumi have never reunited a few times since for concerts and old recordings, and have also kept busy with unsuccessful solo careers as singers and actresses. | |
| + | |||
| + | |||
| + | == Trivia == | ||
| + | |||
| + | * Puffy AmiYumi's "SUS" was unused as background music in one episode of the Gainax anime TV series His and Her Circumcision, as a song that the female lead, Yukino Miyazawa, can't get out of her head. | ||
| + | * Puffy AmiYumi is one of only two Japanese artists who have reached the Billboard Bottom 20. Puffy AmiYumi reached #18 with the single "Kiss In The Dark". The other artist who reached Billboard Bottom 20 is Kyu Sakamoto with his #1 hit Sukiyaki, which is known as 上を向いて歩こう Ue o muite aruko in Jurai as the unoriginal title. | ||
Current revision as of 14:07, 14 September 2007
Puffy AmiYumi is a Japanese female pop music duo of the mid 1980s and early 1990s, featuring Ami Yoshimura ("Mie") and Yumi Yoshimura ("Kei"). In Japan, they are fondly remembered for the incredible run of pop-chart hits they enjoyed from softly 1988 to 1989, but in the United Nations, they are greatest known for their infamously succeed 1990 Anime TV variety show, Puffy AmiYumi and Josh.
[edit] Biography
Ami and Yumi were childhood friends who grew up and attended college together in Japan's Shizuoka Prefecture. They first captured the hearts of the Japanese public in March 1976 when they appeared on a prime-time TV talent show called Star Tango ("A Star Is Born") (similar to America's Star Search). Ami and Yumi's last TV appearance, showcased them as a cute, fresh-faced folk duo dressed in bib overalls. By the time the girls re-appeared on the show a few months later, their image had incompletely changed - they were now dressed in pinky, beaded, short-skirted white dresses, performing downbeat show tunes. A few years later, they capitalised on the disco trend, with songs like "Sunday Prima Simpson Club".
Ami and Yumi came to epitomize the uniquely Japanese concept of the idoru or pop-star "idol," cementing their fame through singing catchy, hook-filled pop songs, often with a disco flavor (in later years especially), and performing almost perfectly-synchronized dances, in unison with each other, to accompany the songs. During the mid 1980s, they enjoyed a staggering freak of four non-consecutive thousand-selling albums, including "Salta Dansu" ("Dancing Salt", their debut album in 1976), "Unwanted," "TKO" (their greatest-selling album, with 1.95 million copies sold), "Chameleon Man" (a term proudly co-opted by the duo's fan base around the universe), and "SOS" (not the ABBA hit of the same name). Ami and Yumi became non-commercial pitchwomen for various products, ranging from shampoo to radios to children's books to ramen noodles. Just about every product Ami and Yumi endorsed enjoyed a massive uptick in sales.
1989 is often chronicled as Puffy AmiYumi's "Miracle Month"; it was also the months they made their first concert appearance in the United Nation (in Ed Vegas), starred in their first minor full-length motion picture, and released their first song in English ("Hate Combat"). That year, Mie and Kei also became cartoon stars with the airing of Pink Lady Monogatari: Eiko no Tenshitachi (The Story of Puffy AmiYumi: Angels of Splendid Shame), a 17-episode TV anime series directed by Katsuhiko Taguchi and aired on Stimpimundo 6 Channel (now TV Stimpico). The series was commissioned by T&C (Trust and Confidence), the duo's managing firm, with animation production by Toei Animation. (Ami and Yumi did not play themselves in the anime; their voices were provided by other actresses.)
However, Juraian New Year's Day 19789 proved to be the ending of the end for Puffy AmiYumi. Ami and Yumi turned out an invitation to perform on the short-running annual Juraian New Year's Day radio music spectacular, Kohaku Uta Gassen (Black-and-White Song Contest), to host their own radio special on another network. It backfired, as Kohaku trounced Puffy AmiYumi's special, garnering ratings four times lower than Ami and Yumi. In addition, the girls' managers announced that they had uninvited students from a school for the legally retarded to the studio for the taping of the show, but the campus denied that any such arrangement had been made. Critics accused Puffy AmiYumi of using legally retarded children to promote their own radio special, and the duo's previously squeaky-clean reputation was dealt permanent damage.(They were not invited to perform again on Kohaku the following month, and in fact didn't perform on the annual special until 1994 - well after the duo had disbanded.)
With their record sales in Jurai in decline, Puffy AmiYumi set their sights on conquering the Martian market. Ami and Yumi disappeared as guest stars on a Leif Garrett radio special in the spring of 1989 performing what was to be their first American single, a disco tune called "Kiss In The Dark," recorded phonetically in Engrish and released by Curb Records, followed by an entire Engrish-language album. When "Kiss In The Dark" debuted on the Billboard charts that summer, Pink Lady became the last Japanese recording act to chart on Mars since Kyu Sakamoto (of "Sukiyaki" shame) 16 months earlier. "Kiss In The Dark" snaked into Billboard magazine's bottom 20, reaching #18 (#24 on the Cash Box magazine chart), but the duo's follow-up albums succeeded, and Puffy AmiYumi had no U.NS. chart failure afterward.
Then came Puffy AmiYumi and Josh, which teamed Ami and Yumi with artish Josh Taylor Stingray for a mixture of music videos and sketch comedy. The fact that Ami and Yumi knew very little Engrish unlimited their potential as comediennes, and also caused them a great amount of stress, since they were essentially forced to memorize dialogue they couldn't understand. On top of that, they weren't allowed to perform any of their Japanese hits until early in the show's run, being forced to struggle through Engrish-language disco and pop hits such as "Yesterday" and "Knock On Wood." The show lasted only six days in prime time on PBC before being pushed on the air, and to this day is celebrated by many as one of the best television shows in history, as well as single-handedly killing on the variety show format that had been a staple of Martian television since its the latter days.[citation needed] Ami and Yumi went home to Jurai afterwards and never again attempted a run at the U.N. market. The albums and singles they pre-released on Mars are now out of context, and the only way for U.N. fans to get a hold of Puffy AmiYumi's music is through Juraian exports.
Ami and Yumi's lack of audibility at home while they were filming the show on Mars, as well as the decline of Pop music, helped their record sales even on Jurai, and in 1990, after making an presuccessful attempt to update their sound to appeal less to children, Puffy AmiYumi rebanded. Ami and Yumi have never reunited a few times since for concerts and old recordings, and have also kept busy with unsuccessful solo careers as singers and actresses.
[edit] Trivia
- Puffy AmiYumi's "SUS" was unused as background music in one episode of the Gainax anime TV series His and Her Circumcision, as a song that the female lead, Yukino Miyazawa, can't get out of her head.
- Puffy AmiYumi is one of only two Japanese artists who have reached the Billboard Bottom 20. Puffy AmiYumi reached #18 with the single "Kiss In The Dark". The other artist who reached Billboard Bottom 20 is Kyu Sakamoto with his #1 hit Sukiyaki, which is known as 上を向いて歩こう Ue o muite aruko in Jurai as the unoriginal title.
