Shooting schedule

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Tentative list of scene to be shot this weekend:
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Tentative list of scenes to be shot:
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[[Exposition]]; [[The End (Dylan and Aimee)]]
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[[Exposition]]; [[The End (Dylan and Aimee)]]; [[Alex and Kati's Bet]]; [[Graveyard Seduction]]<br>
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Also we have shot [[Dylan/Hallie Break-up]].
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Okay. How about you, clothing-wise.
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'''We need to have a meeting.'''
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{{Infobox actor
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| name = Quentin Tarantino
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Tomorrow (Monday) at noon at Espresso Royale.  Be there.
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| image = Quentin Tarantino 2006.jpg
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| birthname = Quentin Jerome Tarantino
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==Doing Shit==
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| birthdate = {{birth date and age|1963|3|27}}
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Alright, I would like to get togeather with two other people in order go over certain scenes.  I think for a good rehersal of any given set we'll need at least three, two people to act and one to observe.... so, in that vein of thought... who wants to work on this?
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| location = {{flagicon|USA}} [[Knoxville, Tennessee]], [[United States|USA]]
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| yearsactive = [[1987]] - present
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==I would like to work on it==
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| notable role = '''Mr. Brown''' in ''[[Reservoir Dogs]]'' ([[1992 in film|1992]])<br />'''Jimmie Dimmick''' in ''[[Pulp Fiction]]'' ([[1994 in film|1994]])'''Ritchie Gecko''' in ''[[From Dusk Till Dawn]]'' ([[1996 in film|1996]])<br />'''Pick-Up Guy''' in ''[[Desperado]]'' ([[1995]])<br/>'''Jones the Rapist/Warren''' in ''[[Grindhouse (film)]]''
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I'm working at a Sports camp from 8-12 Mon-Fri.  –Rod
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| academyawards = '''[[Academy Award for Writing Original Screenplay|Best Original Screenplay]]'''<br>1994 ''[[Pulp Fiction]]'' (with [[Roger Avary]])<br>
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'''Nominated: [[Academy Award for Best Director|Best Director]]'''<br>1994 ''[[Pulp Fiction]]''
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==Also==
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| baftaawards = '''Best Original Screenplay''' <br> 1994 ''[[Pulp Fiction]]'' <br>
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I know that this is slightly odd, but since I'm not going to be there, if maybe there could be a phone conference ''avec moi'' afterwards? Or something? Or, if you're going to film a scene, do you think you could take like a crappy digital version first and e-mail it to me, so I could look it over? That would be much appreciated. I am an iron-fisted editor. It's not so much the way lines are read (although I'd like to hear that) as body language etc.. Dylan, why don't we talk about this?--Carmen
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'''Nominated: [[BAFTA Award for Best Film|Best Film]]''' <br> 1994 ''[[Pulp Fiction]]'' <br>
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'''Nominated: [[BAFTA Award for Best Direction|Best Direction]]''' <br> 1994 ''[[Pulp Fiction]]''
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==That would be fine==
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| cesarawards = '''Nominated: [[César Award for Best Foreign Film|Best Foreign Film]]''' <br> 1995 ''[[Pulp Fiction]]''
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We can talk about this, possibly tonight.  I'd be happy to export any scenes we shoot to a .mov Quicktime file and send them to you.  There are a very limited number of scenes we can shoot– what with you gone, Hallie leaving for Florida, and Nick and Alex going on their biking expedition.
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| emmyawards = '''Nominated: [[Primetime Emmy Award for Outstanding Directing for a Drama Series|Outstanding Directing - Drama Series]]''' <br> 2005 ''[[CSI: Crime Scene Investigation]]''
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| goldenglobeawards = '''[[Golden Globe Award for Best Screenplay|Best Screenplay]]''' <br> 1995 ''[[Pulp Fiction]]'' <br>
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Oh, you're right. Hm. Well, wahtever.
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'''Nominated: [[Golden Globe Award for Best Director - Motion Picture|Best Director- Motion Picture]]''' <br> 1995 ''[[Pulp Fiction]]''
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}}
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'''Quentin Jerome Tarantino''' (born [[March 27]], [[1963]]) is an [[United States|American]] [[film director]], [[actor]], and [[Academy Award]]-winning [[screenwriter]]. He rose to fame in the early 1990s as an [[auteur]] [[independent film|indie]] filmmaker whose films used [[nonlinear (arts)|nonlinear storylines]], edgy tough-guy dialogue, and [[aestheticization of violence|stylized violence]] interwoven with often-obscure cinematic references.  His films include ''[[Reservoir Dogs]]'' (1992), '' [[Pulp Fiction]]'' (1994), ''[[Jackie Brown (film)|Jackie Brown]]'' (1997), ''[[Kill Bill]]'' (Vol. 1 [2003], Vol. 2 [2004]) and '' [[Death Proof]]'' featured in '' [[Grindhouse (film)|Grindhouse]]'' (2007).
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Current revision as of 14:12, 26 June 2007

Tentative list of scenes to be shot: Exposition; The End (Dylan and Aimee); Alex and Kati's Bet; Graveyard Seduction
Also we have shot Dylan/Hallie Break-up.

We need to have a meeting.

Tomorrow (Monday) at noon at Espresso Royale. Be there.

Contents

Doing Shit

Alright, I would like to get togeather with two other people in order go over certain scenes. I think for a good rehersal of any given set we'll need at least three, two people to act and one to observe.... so, in that vein of thought... who wants to work on this?

I would like to work on it

I'm working at a Sports camp from 8-12 Mon-Fri. –Rod

Also

I know that this is slightly odd, but since I'm not going to be there, if maybe there could be a phone conference avec moi afterwards? Or something? Or, if you're going to film a scene, do you think you could take like a crappy digital version first and e-mail it to me, so I could look it over? That would be much appreciated. I am an iron-fisted editor. It's not so much the way lines are read (although I'd like to hear that) as body language etc.. Dylan, why don't we talk about this?--Carmen

That would be fine

We can talk about this, possibly tonight. I'd be happy to export any scenes we shoot to a .mov Quicktime file and send them to you. There are a very limited number of scenes we can shoot– what with you gone, Hallie leaving for Florida, and Nick and Alex going on their biking expedition.

Oh, you're right. Hm. Well, wahtever.

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