Shooting schedule

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Revision as of 03:58, 30 May 2007 (view source) Carmen (Talk | contribs) ← Previous diff		Current revision as of 14:12, 26 June 2007 (view source) Carmen (Talk | contribs)
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-	Tentative list of scene to be shot this weekend:	+	Tentative list of scenes to be shot:
-	[[Exposition]]; [[The End (Dylan and Aimee)]]	+	[[Exposition]]; [[The End (Dylan and Aimee)]]; [[Alex and Kati's Bet]]; [[Graveyard Seduction]]<br>
		+	Also we have shot [[Dylan/Hallie Break-up]].
-	Okay. How about you, clothing-wise.	+	'''We need to have a meeting.'''
-	I'd imagine something more casual– especially if we're in my home.  Perhaps by then I've changed into my checkered blue pajama bottoms.	+	Tomorrow (Monday) at noon at Espresso Royale.  Be there.
-	I feel like that's almost too vulnerable for the way we're relating at this point in the film. You could've done it earlier maybe, before we had these fights. I might have to see them. Also, if I'm wearing what I wore Friday, maybe you should wear what you wore Friday as well, for obsessive continuity?	+	==Doing Shit==
-	<br><br>	+	Alright, I would like to get togeather with two other people in order go over certain scenes.  I think for a good rehersal of any given set we'll need at least three, two people to act and one to observe.... so, in that vein of thought... who wants to work on this?
-	Also, completely unrelated, my brother has a pair of Jack Daniels beer pajama pants that are the single most ugly thing that I've ever seen in my life. They are dark red, black, cream-colored and vomit green and have pictures of beer bottles all over them.	+
		+	==I would like to work on it==
		+	I'm working at a Sports camp from 8-12 Mon-Fri.  –Rod
-	Would match the vomit colored couch I plan to find.  When I was four I crashed my father's vomit colored car.  He had left me in the car with the keys in the ignition. It wasn't a traumatic experience– I only drove the car a couple of feet– but I recall that my mother was justifiably angry at dad.	+	==Also==
		+	I know that this is slightly odd, but since I'm not going to be there, if maybe there could be a phone conference ''avec moi'' afterwards? Or something? Or, if you're going to film a scene, do you think you could take like a crappy digital version first and e-mail it to me, so I could look it over? That would be much appreciated. I am an iron-fisted editor. It's not so much the way lines are read (although I'd like to hear that) as body language etc.. Dylan, why don't we talk about this?--Carmen
-	WHOA! When I was four, I totally drove my mother's car a couple of feet! That's a weird albeit not entirely surprising coincidence!	+	==That would be fine==
		+	We can talk about this, possibly tonight.  I'd be happy to export any scenes we shoot to a .mov Quicktime file and send them to you.  There are a very limited number of scenes we can shoot– what with you gone, Hallie leaving for Florida, and Nick and Alex going on their biking expedition.
-	But if you wanted to wear the hideous Jack Daniels pants I'm sure I could borrow them and the two of you are similar heights.	+	Oh, you're right. Hm. Well, wahtever.

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Current revision as of 14:12, 26 June 2007

Tentative list of scenes to be shot: Exposition; The End (Dylan and Aimee); Alex and Kati's Bet; Graveyard Seduction
Also we have shot Dylan/Hallie Break-up.

We need to have a meeting.

Tomorrow (Monday) at noon at Espresso Royale. Be there.

Contents 1 Doing Shit 2 I would like to work on it 3 Also 4 That would be fine

Doing Shit

Alright, I would like to get togeather with two other people in order go over certain scenes. I think for a good rehersal of any given set we'll need at least three, two people to act and one to observe.... so, in that vein of thought... who wants to work on this?

I would like to work on it

I'm working at a Sports camp from 8-12 Mon-Fri. –Rod

Also

I know that this is slightly odd, but since I'm not going to be there, if maybe there could be a phone conference avec moi afterwards? Or something? Or, if you're going to film a scene, do you think you could take like a crappy digital version first and e-mail it to me, so I could look it over? That would be much appreciated. I am an iron-fisted editor. It's not so much the way lines are read (although I'd like to hear that) as body language etc.. Dylan, why don't we talk about this?--Carmen

That would be fine

We can talk about this, possibly tonight. I'd be happy to export any scenes we shoot to a .mov Quicktime file and send them to you. There are a very limited number of scenes we can shoot– what with you gone, Hallie leaving for Florida, and Nick and Alex going on their biking expedition.

Oh, you're right. Hm. Well, wahtever.