Simon, cynical self centered radio host
From Create Your Own Story
You arrive at the station around 9 pm as usual. Your new intern hands you the coffee and the guest's bio. As she turns around to move on with her intern stuff you can't stop from admiring her perfect round ass. What was her name again? Who cares she'll be out of here in less than a week. You'll definitely try to bang her before she leaves. The promise of a job is always a good incentive to have them jump in your bed.
Tonight's programmed guest has canceled and was replaced by a certain Ruth Hallgrave...You know the name from somewhere...Of course you remember now: she was the mayor's campaign director. This one's going to be a tough one to manipulate but you'll have to manage something, your ratings are going down and you can already feel the breath of the radio owners on your neck.
Half an hour later your phone rings. Your guest is here.
You head to your station for tonight's show last preparations.
The red light signals you that you're on the air.
Show time.
"Hellooo Monroeville, this is Simon Remming, your host on "What's up with Monroeville". Our guest tonight is Ruth Hallgrave, PR for our dearly beloved Mayor. Brilliant public servant, young rising star in the republican party, she handled the corruption accusations on the Police Chief with nothing less than genius but will she be able to face yours truly? We'll now more about it after a word from our sponsors."
Ruth enters the room, her confident smile reveals two small overgrown canines. She looks breathtakingly attractive. The intern follows her, she seems lost and pale. You notice two tiny puncture wounds at the base of her neck. With a head movement you have her leave the room. She turns to Ruth who nods and she leaves.
The red light is back on, the show can begin.
"Hello Ruth, can I call you Ruth? Yes? Great so how are you tonight?"
The show starts slowly. Your guests' seductive look throws you off balance a couple of times. You manage to score a couple of points but clearly she leads the discussion. Each time you feel you have an edge you loose track of your thought.
At some point you hear screams from behind the door and something heavy slams into the door of the studio but Ruth's gaze forces you to go on with the interview.
The first commercial break allows you to take a breath.
You have three minutes and two options:
