Sonar Workflow

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(Difference between revisions)
(Converting to Your Favorite Format)
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If you choose not to buy the shareware codec that comes with Sonar, you can still produce MP3s with an external codec. By far the most highly recommended of these is [http://wiki.hydrogenaudio.org/index.php?title=LAME LAME], which is open source. It is also widely considered to be the best MP3 encoder around, making it preferable to the codec bundled with SONAR even without condidering monetary factors.
If you choose not to buy the shareware codec that comes with Sonar, you can still produce MP3s with an external codec. By far the most highly recommended of these is [http://wiki.hydrogenaudio.org/index.php?title=LAME LAME], which is open source. It is also widely considered to be the best MP3 encoder around, making it preferable to the codec bundled with SONAR even without condidering monetary factors.
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Here are step-by-step instructions for setting up LAME (from the [http://forum.cakewalk.com/fb.asp?m=628456 Cakewalk Forum Thread] by [http://forum.cakewalk.com/showProfile.asp?memid=7837 Jesse G]:
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Here are '''step-by-step instructions for setting up LAME''' (from the [http://forum.cakewalk.com/fb.asp?m=628456 Cakewalk Forum Thread] by [http://forum.cakewalk.com/showProfile.asp?memid=7837 Jesse G]:
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<ul>
<ul>
<li>Open SONAR 3, 4, 5 and go to Tools -> Cakewalk Ext. Encoder Config</li>
<li>Open SONAR 3, 4, 5 and go to Tools -> Cakewalk Ext. Encoder Config</li>
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Assuming you wish to keep archival (lossless) copies of your mixdowns, but want to use a minimum of space, you have the option of converting RIFF WAV files to a compressed lossless format, which can provide a considerably smaller file than the source WAV, while retaining 100% of the audio information in the recording, unlike MP3 or WAV lossless files.
Assuming you wish to keep archival (lossless) copies of your mixdowns, but want to use a minimum of space, you have the option of converting RIFF WAV files to a compressed lossless format, which can provide a considerably smaller file than the source WAV, while retaining 100% of the audio information in the recording, unlike MP3 or WAV lossless files.
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'''[http://wiki.hydrogenaudio.org/index.php?title=FLAC FLAC]''' is one of the most popular lossless encoders — and it's free since it's the open source.  ''FLAC'' is available for most every operating system around, and in addition to providing substantial lossless compression, it is also directly playable on a growing number of home and car stereos, portable music players, and software music players.   
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One of the most popular lossless encoders is the open source [http://wiki.hydrogenaudio.org/index.php?title=FLAC FLAC].  '''FLAC''' is available for most every operating system around, and in addition to providing substantial lossless compression, it is also directly playable on a growing number of home and car stereos, portable music players, and software music players.  Some find it to be the ideal compromise solution for digitizing their CD collection, providing perfect playback but taking up less space than WAVs (though quite a bit more than MP3s).
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FLAC also allows an unlimited amount of metadata (including arbitrary, user-made tags) to be included in files, which can be quite useful when preparing files for long-term storage.  FLAC files can be converted back into WAV files that are bit-for-bit identical to the source WAV. FLAC can be downloaded from the [http://flac.sourceforge.net/ FLAC homepage]. A filter that allows FLAC files to be edited directly in Cool Edit or Adobe Audition can be had [http://www.vuplayer.com/files/flacfilter.zip here].
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FLAC allows an unlimited amount of metadata (including arbitrary, user-made tags) to be included in files, which can be quite useful when preparing files for long-term storage.  FLAC files can be converted back into WAV files that are bit-for-bit identical to the source WAV. FLAC can be downloaded from the [http://flac.sourceforge.net/ FLAC homepage]. A filter that allows FLAC files to be edited directly in Cool Edit or Adobe Audition can be had [http://www.vuplayer.com/files/flacfilter.zip here].
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Other lossless codecs are [http://www.monkeysaudio.com/ '''Monkey's Audio'''], [http://www.wavpack.com/ '''WavPack'''] and [http://www.microsoft.com/windows/windowsmedia/forpros/codecs/audio.aspx '''WMA Lossless'''].
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Comparisons of FLAC and other lossless codecs can be found [http://members.home.nl/w.speek/comparison.htm here], [http://web.inter.nl.net/users/hvdh/lossless/lossless.htm here], [http://www.bobulous.org.uk/misc/lossless_audio_2006.html here] and [http://wiki.hydrogenaudio.org/index.php?title=Lossless_comparison here].

Revision as of 01:42, 15 September 2006

Contents

Basic Recording Setup

Recording Audio

Recording MIDI

From Softsynths, Samplers, Etc.

From External Controllers / Synths

Mixing Procedures

Exporting Procedures

Converting to Your Favorite Format

Once you've finished composing, tracking, mixing and exporting your music, you'll end up with one of four file types with SONAR's File | Export | Audio function: RIFF WAV, Broadcast WAV, Windows Media Advanced Streaming or MP3 (if you have paid separately to use the MP3 codec that comes with SONAR).

RIFF WAV and Broadcast WAV files are the file types of choice for mastering, as they are lossless formats.

MP3, on the other hand, is a lossy format, meaning that you not only lose information (read: quality) by encoding a file as MP3, but you also lose additional quality every time you modify the file's content (though not, of course, its metadata). This makes MP3s suitable for casual listening, but not for mastering or even demanding listening.

If you choose not to buy the shareware codec that comes with Sonar, you can still produce MP3s with an external codec. By far the most highly recommended of these is LAME, which is open source. It is also widely considered to be the best MP3 encoder around, making it preferable to the codec bundled with SONAR even without condidering monetary factors.

Here are step-by-step instructions for setting up LAME (from the Cakewalk Forum Thread by Jesse G:

  • Open SONAR 3, 4, 5 and go to Tools -> Cakewalk Ext. Encoder Config
  • In the Friendly Name Field write: LAME MP3 Encoder
  • In the Extension field write: .mp3
  • In the Description field write whatever you want
  • In the Path field write the path where the Lame encoder is located. That is where lame.exe and lame_enc.dll are located. I keep my Lame encoder in my "C:\\Program Files\\Cakewalk\\Shared Utilities\\LAME Folder" or (copy and past the extracted zip file to your Sonar shared utilities folder and then when you have to perform this step, click the browse button to find the location
  • In the Command Line field write: lame -b 192 -m j %I %O
  • Press Save button
  • Uncheck Keep Wave File

This will export to a 192Kbps, joint stereo mp3 file. If you want 128Kbps, replace 192 with 128 in the Command Line field. The next time you click on File->Export->Audio in SONAR 3, 4, 5 you'll find 'LAME MP3 encoder' as a type of audio.

WMA gives you the choice between lossy or lossless compression; the lossy compression is roughly comparable to that of MP3 files at equivalent bitrates, and the same caveats for the MP3 format apply to WMA lossy compression.

Assuming you wish to keep archival (lossless) copies of your mixdowns, but want to use a minimum of space, you have the option of converting RIFF WAV files to a compressed lossless format, which can provide a considerably smaller file than the source WAV, while retaining 100% of the audio information in the recording, unlike MP3 or WAV lossless files.

One of the most popular lossless encoders is the open source FLAC. FLAC is available for most every operating system around, and in addition to providing substantial lossless compression, it is also directly playable on a growing number of home and car stereos, portable music players, and software music players. Some find it to be the ideal compromise solution for digitizing their CD collection, providing perfect playback but taking up less space than WAVs (though quite a bit more than MP3s).

FLAC allows an unlimited amount of metadata (including arbitrary, user-made tags) to be included in files, which can be quite useful when preparing files for long-term storage. FLAC files can be converted back into WAV files that are bit-for-bit identical to the source WAV. FLAC can be downloaded from the FLAC homepage. A filter that allows FLAC files to be edited directly in Cool Edit or Adobe Audition can be had here.

Other lossless codecs are Monkey's Audio, WavPack and WMA Lossless.

Comparisons of FLAC and other lossless codecs can be found here, here, here and here.



















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