Hallie's Cheating

From Rom Com

Revision as of 06:14, 25 May 2007

ALSO KNOWN AS "THE SPLIT SCREEN GIMMICK SCENE"

This takes place in Rackham.

Okay. So here's how I envision it, feel free to totally tear it apart if you want; this is merely one idea for the plot. Right?
So Hallie and Nick are in a compromising position at the party and they've left.

EXT. House. Night.
Establishing shot of the house.
POV shot of Hallie and Nick. They are on foot and slightly drunk, getting out of the door. The noise of the party is quite loud, but they themselves are quiet. It is as if they are sharing a private joke. Crickets chirp.
Tracking shot. Hallie and Nick walking to the car.
Medium shot. Hallie and Nick from the front, close together.

Close up. Hallie in profile, looking up at Nick. She's smiling.

Medium shot from the front of the car. Hallie and Nick are both trying to open the driver's seat door. Medium shot from the side of the car. Hallie's opened the door.

Medium shot from inside the car. Hallie is getting into the driver's seat.

This must all be quite serious, not theatrical at all.

Over-the-shoulder shot from outside the car. Nick adjusts the seat.
Over-the-shoulder shot from inside the car. We can not quite see Hallie's expression. She and Nick are quite close, as he is adjusting the seat for her.
Over-the-shoulder shot from behind Nick as he reaches across Hallie to adjust the rearview mirror. There is a brief moment of tension. We see his profile.
Medium interior shot from the front of the car. The door shuts. Hallie has a faint smile on her face.
Slightly farther interior shot from the back of the car, behind Hallie and Nick. Nick gets into the car and slams the door. (As soon as he slams the door, "Mr. Brightside" by The Killers starts to play on the soundtrack.)
The car starts up. (this roughly corresponds with "coming out of my cage")
Tracking shot. The back of the car.
Tracking shot. The side of the car. ("and I've been doing just fine")
Tracking shot. The back of the car. ("gotta, gotta be down, because I want it all")
Close shot. Interior of the car. I'm not exactly sure about how this shot is going to be, but I know I want it to be interior and focusing on Hallie and Nick in some way. ("it started out with a kiss, how did it end up like this, it was only a kiss, it was only a kiss") CUT TO

INT. House. Night

Medium shot. Dylan. He looks isolated and has just gotten in the door of the party. (this should roughly coincide with the lyrics "now I'm falling asleep", by the way)
Over-the-shoulder shot, of Dylan searching the party. Choppy camerawork, fast movements, dim yellowish light. He opens a door on a couple making out on a bed. Etc. etc. As soon as the music reaches "she's touching his chest, now, he takes off her dress, now", the screen splits in two. DYLAN is on the left, HALLIE and NICK on the right. DYLAN's side of the screen follows him (POV or over-the-shoulder) as he searches through the party. HALLIE and NICK's side has close shots of them stumbling together, embracing, etc. Maybe inside the car, maybe not. (Hey, Dylan, or anyone else who wants to screenwrite? I'm not sure how I'm going to get them inside the building. Like, usually I have a very obvious image in my head, but Rackham is pretty difficult. I think I'm going to need to see Hallie and Nick together, pretending to be drunk at Rackham, etc. Also, I'm not sure that this scene is entirely chronological. I hope this does not kill anybody. I can change that if you want.)
As soon as the music reaches "'cause I'm Mr. Brightside" and goes into the instrumental, the screen un-splits.

EXT. Rackham. Night.

Extremely far establishing shot. The car pulls up. As soon as the instrumental ends ("I'm coming out of my cage") CUT TO

INT. House. Night.

DYLAN at the party. He comes across Kati. He tries to yell something to her, but she doesn't hear. He gets out a piece of paper and writes "Where's Hallie?"
At "Now I'm falling asleep", the screen splits in two again. Yet again, Dylan is on the left while Hallie and Nick are on the right. Hallie and Nick are stumbling through dim lighting in the reading rooms of Rackham. Kati bends over and scribbles "GONE" on the piece of paper. Dylan leaves. The camera tracks his progress as he walks through the neighborhood. He gets out his phone and tries to call Hallie, but there is obviously no answer. On the other end, Hallie takes her phone out of her pocket, looks at it, and turns it off.
The split-screen ends when the song ends, and we see Dylan standing in front of Rackham where he sees Nick's car.

AND SO they go to Rackham and things progress and they end up making out in one of the reading rooms, up against the window, so that it's difficult to see Hallie but very easy to see Nick.

he goes inside, because he needs a motive to go inside, and he's dialing Nick's number when he comes across Nick making out with this unknown girl whom he can only partially see through the window. And he calls him. And watches him answering the phone. Which is sort of creepy but also neat!

And so then we cut to Nick and Hallie, with periodic cuts back to Dylan, and so they have a brief conversation in which Nick says he'll be right out and that he's 'preoccupied', because he doesn't know that Dylan knows what's going on...and Hallie might hide beneath a table or in a cabinet or not, depending...but anyway...

They leave together and Hallie comes out of her hiding place...and I guess at this point Dylan and Kati have to have something but I'm not sure what...