Pearl Jam

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Contents

Mike McCready

  • c. 1997: '59 Stratocaster (sunburst), '58 Stratocaster (sunburst), '53 Telecaster (blonde), '68 ES-335 (cherry), '70s Ibanez Flying V (natural), '91 Gretsch Silverjet Double Cutaway (reissue), '59 Gibson Les Paul (honeyburst), '95 Gibson Les Paul ('60 reissue), '95 Gibson Les Paul ('59 reissue) > two Sony Wireless Units > Dunlop Univibe (w/ on/off footswitch) > Dunlop 535Q wah > Boss DM-3 > MXR Phase 90 > Ernie Ball volume > clean rig to Jester Hydra 2x6 Tube Signal Splitter > dirty rig to Ibanez TS-9 to Jester Hydra 2x6 Tube Signal Splitter > signal splitter to 1959 Fender Bassman Tweed 4x10 reissue, 1959 Fender Twin Tweed 2x10, 1968 Marshall 50w JMP Plexi head w/ 1972 Marshall 100w 4x12 cab, and 1996 Matchless HC30 30w head with reissue Orange 4x12 cab (GHS strings)
  • c. 2009: Dunlop Crybaby (535Q), Hughes & Kettner Rotosphere, Keeley-modded Boss BD-2 Blues Driver (later replaced with Fulltone Distortion Pro), Ibanez TS-9 Tube Screamer, Boss DM-2 Delay, Line 6 DL4, Line 6 MM4, line selector (later replaced with Lehle Dual Amp Switcher), Digitech Whammy (shown in later shots)

Stone Gossard

circa 1997

  • Guitars: '53 Les Paul Goldtop (deluxe), '73 Les Paul Goldtop (deluxe), '71 Les Paul Custom (black), '59 Stratocaster (coral pink), '68 Telecaster (Bigsby vibrato), '80s Gibson Flying V (black), '93 Hamer Duo Tone acoustic/electric, '96 Hamer Duo Tone acoustic/electric
  • Pedals/Effects: Whirlwind A/B > one signal to Boss TU12H tuner, one signal to > Ernie Ball volume > Dunlop 535Q wah > Ibanez TS9 Tube Screamer > Ibanez SD-9 Sonic Distortion > Diaz Tremodillo tremolo > Boss DD3 delay > Dunlop Univibe (w/ footswitch)
  • Amps: 1965 Fender Spring Reverb (w/ footswitch) and 1998 Savage Audio 50w "Blitz 50" 2x12 Combo Amp
  • Other: GHS strings

circa 2008 - 2010

  • Guitars: 1953 Gibson Les Paul, 1954 Gibson Les Paul Goldtop, 1954 Fender Telecaster (blonde), 1959 Fender Stratocaster (red), 1959 Fender Stratocaster (salmon pink) ("Half Full" recording), 1964 Gibson ES-330 (red, w/ Bigsby) ("Love Boat Captain" recording), 1966 Fender Duo-Sonic (beige), 1968 Gibson ES-335 (red), 1968 Gibson ES-330 (black, w/ Bigsby), 1968 Guild Starfire, 1969 Gibson Les Paul goldtop, 1972 Gibson Les Paul goldtop, 1980s Gibson Flying V (black) ("Cropduster" recording), 1999 Jerry Jones Neptune 12-string, Gibson Les Paul (sunburst), Hamer Duo Tone, Fender Stratocaster (black), Rickenbacker electric (black), 2001 National resophonic ("Thumbing My Way" recording), 2001 James Trussart Telecaster, Taylor 710S ES acoustic, Huss & Dalton D-RH acoustic
  • Amps/Cabs: Trentino amps (custom-made by Sal Trentino) (including 2000 Trentino 30w amp), 1998 Savage Blitz 50w 2x12 combo, Marshall 1960B 4x12 slanted cabs, Marshall 1960A/1960B 300w 4x12 straight cabs, Matchless H/C-30 head, Marshall combo tube amp (possibly a 1974X handwired 18w combo), Fender Deluxe, handwired RI Vox AC30
  • Effects: Ibanez FL-305, Whirlwind A/B, Ernie Ball 6166 Mono Volume, Dunlop Crybaby 535Q, Klon Centaur, Keeley compressor, Line 6 DL4, Hughes & Kettner Rotosphere, Morgan Miller DT-1, MXR M-132 Super Comp, MXR Phase 90, MXR M-135 Smart Gate, MXR M-133 Micro Amp, Danelectro Dan-Echo, Boss DD-5, Boss DD-3, Boss Hyperfuzz, Boss Stereo Chorus, Ibanez SD-9, Ibanez TS9, DOD Graphic EQ, Boss TU-12H tuner, Diaz Tremodillo, Dunlop UniVibe, Fender Spring Reverb rack unit, Avalon direct boxes
  • Other: GHS Boomers (.010-.046) (on electrics), Martin Marquis 80/20 Bronze Mediums (on acoustics)

Eddie Vedder

  • c. 1997: '63 Telecaster (black sparkle), '98 SG (black), '68 SG (white), '68 ES-335 (brown), '87 Rickenbacker 360 (black), '98 Jerry Jones sitar (black), '85 Schecter PT (black, Tele copy) > '70s Hiwatt head > Marshall 1960B 4x12 cab (EBow)

Matt Cameron

Source #1

(DRUM! Magazine)

  • Drum Kit: Yamaha (in Vintage finish): 24x16 kick, 14x6.5 copper-shell snare, 12x8 and 13x9 rack toms, 16x16 floor tom
  • Additional drums: Yamaha Steve Jordan Cocktail Kit: 8" x 5" snare, 10" x 5" tom, 15" x 24" kick tom (in Purple Sparkle Fade); 14x7 Alex Acuña Timbale
  • Cymbals: Zildjian: 15" A Sweet Hi-Hats, 19" and 20" A Medium Thin Crashes, 19" A Medium Crash, 16" A Vintage Crash, 22" A Deep Ride, and with cocktail kit: 12" A Custom Splash and 12" Oriental Trash Hat
  • Percussion: -
  • Hardware: Yamaha hardware
  • Other: Vic Firth sticks, Remo heads

Source #2

(Matt Cameron Fan Page)

  • Drum Kit: Yamaha Birch Custom Absolute: 16x24 kick, 8x12 and 9x13 rack toms, 16x16 and 18x18 floor toms, 7x14 custom Keplinger snare
  • Cymbals: Zildjian: 15" New Beat Hi-Hats, 18" and 19" Z Custom Medium Crashes, 17" and 19" Z Custom Rock Crashes, 20" A Medium Ride or 21" Sweet Ride
  • Mics: Shure: SM81 (hi-hats), Beta 52A/Beta 91 (kick), SM57 (snare), Beta 98 (toms), KSM32 (overhead)
  • Heads: Remo Emperors (batter), Remo Ambassadors (reso)
  • Other: Vic Firth Matt Cameron Signature Series 5B sticks, DW hardware
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