Pearl Jam

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Mike McCready

c. 1997: '59 Stratocaster (sunburst), '58 Stratocaster (sunburst), '53 Telecaster (blonde), '68 ES-335 (cherry), '70s Ibanez Flying V (natural), '91 Gretsch Silverjet Double Cutaway (reissue), '59 Gibson Les Paul (honeyburst), '95 Gibson Les Paul ('60 reissue), '95 Gibson Les Paul ('59 reissue) > two Sony Wireless Units > Dunlop Univibe (w/ on/off footswitch) > Dunlop 535Q wah > Boss DM-3 > MXR Phase 90 > Ernie Ball volume > clean rig to Jester Hydra 2x6 Tube Signal Splitter > dirty rig to Ibanez TS-9 to Jester Hydra 2x6 Tube Signal Splitter > signal splitter to 1959 Fender Bassman Tweed 4x10 reissue, 1959 Fender Twin Tweed 2x10, 1968 Marshall 50w JMP Plexi head w/ 1972 Marshall 100w 4x12 cab, and 1996 Matchless HC30 30w head with reissue Orange 4x12 cab (GHS strings)
c. 2009: Dunlop Crybaby (535Q), Hughes & Kettner Rotosphere, Keeley-modded Boss BD-2 Blues Driver (later replaced with Fulltone Distortion Pro), Ibanez TS-9 Tube Screamer, Boss DM-2 Delay, Line 6 DL4, Line 6 MM4, line selector (later replaced with Lehle Dual Amp Switcher), Digitech Whammy (shown in later shots)

c. 1997: '53 Les Paul Goldtop (deluxe), '73 Les Paul Goldtop (deluxe), '71 Les Paul Custom (black), '59 Stratocaster (coral pink), '68 Telecaster (Bigsby vibrato), '80s Gibson Flying V (black), '93 Hamer Duo Tone acoustic/electric, '96 Hamer Duo Tone acoustic/electric > Whirlwind A/B > one signal to Boss TU12H tuner, one signal to > Ernie Ball volume > Dunlop 535Q wah > Ibanez TS9 Tube Screamer > Ibanez SD-9 Sonic Distortion > Diaz Tremodillo tremolo > Boss DD3 delay > Dunlop Univibe (w/ footswitch) > 1965 Fender Spring Reverb (w/ footswitch) > 1998 Savage Audio 50w "Blitz 50" 2x12 Combo Amp (GHS strings)

c. 1997: '63 Telecaster (black sparkle), '98 SG (black), '68 SG (white), '68 ES-335 (brown), '87 Rickenbacker 360 (black), '98 Jerry Jones sitar (black), '85 Schecter PT (black, Tele copy) > '70s Hiwatt head > Marshall 1960B 4x12 cab (EBow)