The Decemberists

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(Difference between revisions)
(Chris Funk)
(Chris Funk)
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==Chris Funk==
==Chris Funk==
'''circa 2007 - 2009'''
'''circa 2007 - 2009'''
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* '''Guitars/Etc.:''' Phantom Teardrop 12-string, custom Ark New Era acoustic, Eastwood Messenger hollowbody electric, Sierra Session S-10 pedal steel, Gibson SG, Gibson square neck Dobro, Eastwood Sidejack Baritone, Eastwood Classic 12, Reverend Club King 290, Michael Kelly Legacy mandolin, Michael Kelly mandola, Gold Tone banjo, Gold Tone Weissenborn copy, custom Olympic hurdy-gurdy, Phantom Mando Guitar 12-string
+
* '''Guitars/Etc.:''' Gibson SG Standard, Gibson squareneck dobro, Reverend Club King 290, Sierra Session S-10 pedal steel, Phantom Teardrop 12-string, custom Ark New Era acoustic, Michael Kelly Legacy mandolin, Michael Kelly mandola, Gold Tone banjo, Gold Tone Weissenborn copy, custom Olympic hurdy-gurdy, Eastwood Sidejack Baritone, Eastwood Classic 12, Eastwood Messenger hollowbody electric, Phantom Mando Guitar 12-string
* '''Amps:''' Dr. Z amps and cabs, Orange amps and cabs (including an AD30HTC head), Carr amps (including a Mercury), Fuchs amps (including a Black Jack 21 head), Peavey Nashville combo (for pedal steel), THD amps (30w and 50w heads in studio), Sunn cabs, Fender Twin
* '''Amps:''' Dr. Z amps and cabs, Orange amps and cabs (including an AD30HTC head), Carr amps (including a Mercury), Fuchs amps (including a Black Jack 21 head), Peavey Nashville combo (for pedal steel), THD amps (30w and 50w heads in studio), Sunn cabs, Fender Twin
* '''Pedals:''' Line 6 pedals (DL4, MM4), Boss pedals (tuner, Keeley-modded comp), EHX pedals (Micro Synth, Big Muff, Holy Grail, phasers, and others), Koln distortion, Keeley-modded ProCo Rat, AC Booster, Dunlop Dallas Arbiter Fuzz Face, Source Audio Hot Hand Wah Filter
* '''Pedals:''' Line 6 pedals (DL4, MM4), Boss pedals (tuner, Keeley-modded comp), EHX pedals (Micro Synth, Big Muff, Holy Grail, phasers, and others), Koln distortion, Keeley-modded ProCo Rat, AC Booster, Dunlop Dallas Arbiter Fuzz Face, Source Audio Hot Hand Wah Filter

Revision as of 22:48, 9 June 2011

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Contents

Colin Meloy

circa 2007 - 2009

  • Guitars: Martin 000-17S acoustic, Gibson J-200 Montana Gold custom acoustic, Gibson J-185 12-string acoustic, vintage Goya nylon-string acoustic, Epiphone Dot electric, Les Paul Standard goldtop (smashed in 2007), Gretsch hollowbody electric, Guild 12-string electric, custom Ark New Era acoustic
  • Pedals: (circa 2011) Voodoo Lab Pedal Power 2+, Ibanez TS9, Lehle 1@3, Whirlwind Multi Selector FS, Boss TU-2, two Boss digital delays
  • Amplification: L.R. Baggs Element (Martin 000-17S), K&K pickup (Gibsons), acoustics straight through switcher pedals to DI, electrics (reportedly) go to Dr. Z combo amp
  • Other: D’Addario light-gauge strings (acoustic), D’Addario .011–.049 strings (electric)

Nate Query

circa 2007 - 2011

  • Basses: Lakland Joe Osborne Signature electric, "Samuel Shen e Willow" upright (live), Baranyai Gyorgy upright (studio)
  • Effects: Tech 21 SansAmp Bass Driver DI (electric), Fishman Pro-EQ Platinum Bass (upright), Roger Meyer Voodoo-Bass distortion, EHX Bass Micro Synthesizer, Radial J48 DI (for upright, circa 2007)
  • Amps: two Aguilar AG 500 heads (one for electric bass, one for upright/cello) into Aguilar GS 212 2x12 cabinet and Aguilar GS 410 4x10 cabinet
  • Other: Lakland Joe Osborne flatwound strings (electric), D’Addario Helicore strings (upright)

Chris Funk

circa 2007 - 2009

  • Guitars/Etc.: Gibson SG Standard, Gibson squareneck dobro, Reverend Club King 290, Sierra Session S-10 pedal steel, Phantom Teardrop 12-string, custom Ark New Era acoustic, Michael Kelly Legacy mandolin, Michael Kelly mandola, Gold Tone banjo, Gold Tone Weissenborn copy, custom Olympic hurdy-gurdy, Eastwood Sidejack Baritone, Eastwood Classic 12, Eastwood Messenger hollowbody electric, Phantom Mando Guitar 12-string
  • Amps: Dr. Z amps and cabs, Orange amps and cabs (including an AD30HTC head), Carr amps (including a Mercury), Fuchs amps (including a Black Jack 21 head), Peavey Nashville combo (for pedal steel), THD amps (30w and 50w heads in studio), Sunn cabs, Fender Twin
  • Pedals: Line 6 pedals (DL4, MM4), Boss pedals (tuner, Keeley-modded comp), EHX pedals (Micro Synth, Big Muff, Holy Grail, phasers, and others), Koln distortion, Keeley-modded ProCo Rat, AC Booster, Dunlop Dallas Arbiter Fuzz Face, Source Audio Hot Hand Wah Filter
  • Other: K&K pickups

Jenny Conlee

circa 2007 - 2010

  • Instruments: Petosa Futura accordion (among others), Hammond B3 organ (w/ Leslie 122), Nord Stage Piano, EMS suitcase pump organ, Yamaha CP33 keyboard, Moog Little Phatty synth, marching band concert glockenspiel

John Moen

  • Drums: (circa March 2011) "I’d been playing an old Gretsch kit with smaller sizes for a long time. I decided I wanted to a get a late ’60s Ludwig, with a 22" bass drum a 16" floor tom. I wanted to get a little wonkier sound. We tried to approach the music more as a band than as individual parts constructed in the studio. We really tried to do that as a group."
  • Cymbals: (circa May 2011) Paiste cymbals: 15" Giant Beat Hi-Hat, 18" Signature Fast Crash, 20" Formula 602 Medium Ride, 20" Giant Beat Crash/Ride
  • Other: (circa 2008) SilverFox sticks

Other

Flickr photos: Guitar and amps, guitars, various gear, someone's pedalboard from the worst view possible, various amps, Chris's guitar and various gear, Colin and various gear

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