Pearl Jam

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Revision as of 14:30, 16 May 2011

Mike McCready

• c. 1997: '59 Stratocaster (sunburst), '58 Stratocaster (sunburst), '53 Telecaster (blonde), '68 ES-335 (cherry), '70s Ibanez Flying V (natural), '91 Gretsch Silverjet Double Cutaway (reissue), '59 Gibson Les Paul (honeyburst), '95 Gibson Les Paul ('60 reissue), '95 Gibson Les Paul ('59 reissue) > two Sony Wireless Units > Dunlop Univibe (w/ on/off footswitch) > Dunlop 535Q wah > Boss DM-3 > MXR Phase 90 > Ernie Ball volume > clean rig to Jester Hydra 2x6 Tube Signal Splitter > dirty rig to Ibanez TS-9 to Jester Hydra 2x6 Tube Signal Splitter > signal splitter to 1959 Fender Bassman Tweed 4x10 reissue, 1959 Fender Twin Tweed 2x10, 1968 Marshall 50w JMP Plexi head w/ 1972 Marshall 100w 4x12 cab, and 1996 Matchless HC30 30w head with reissue Orange 4x12 cab (GHS strings)
• c. 2009: Dunlop Crybaby (535Q), Hughes & Kettner Rotosphere, Keeley-modded Boss BD-2 Blues Driver (later replaced with Fulltone Distortion Pro), Ibanez TS-9 Tube Screamer, Boss DM-2 Delay, Line 6 DL4, Line 6 MM4, line selector (later replaced with Lehle Dual Amp Switcher), Digitech Whammy (shown in later shots)

Stone Gossard

circa 1997

• Guitars: '53 Les Paul Goldtop (deluxe), '73 Les Paul Goldtop (deluxe), '71 Les Paul Custom (black), '59 Stratocaster (coral pink), '68 Telecaster (Bigsby vibrato), '80s Gibson Flying V (black), '93 Hamer Duo Tone acoustic/electric, '96 Hamer Duo Tone acoustic/electric
• Pedals/Effects: Whirlwind A/B > one signal to Boss TU12H tuner, one signal to > Ernie Ball volume > Dunlop 535Q wah > Ibanez TS9 Tube Screamer > Ibanez SD-9 Sonic Distortion > Diaz Tremodillo tremolo > Boss DD3 delay > Dunlop Univibe (w/ footswitch)
• Amps: 1965 Fender Spring Reverb (w/ footswitch) and 1998 Savage Audio 50w "Blitz 50" 2x12 Combo Amp
• Other: GHS strings

circa 2008 - 2010

• Guitars: 1953 Gibson Les Paul, 1954 Gibson Les Paul Goldtop, 1954 Fender Telecaster (blonde), 1959 Fender Stratocaster (red), 1959 Fender Stratocaster (salmon pink) ("Half Full" recording), 1964 Gibson ES-330 (red, w/ Bigsby) ("Love Boat Captain" recording), 1966 Fender Duo-Sonic (beige), 1968 Gibson ES-335 (red), 1968 Gibson ES-330 (black, w/ Bigsby), 1968 Guild Starfire, 1969 Gibson Les Paul goldtop, 1972 Gibson Les Paul goldtop, 1980s Gibson Flying V (black) ("Cropduster" recording), 1999 Jerry Jones Neptune 12-string, Gibson Les Paul (sunburst), Hamer Duo Tone, Fender Stratocaster (black), Rickenbacker electric (black), 2001 National resophonic ("Thumbing My Way" recording), 2001 James Trussart Telecaster, Taylor 710S ES acoustic, Huss & Dalton D-RH acoustic
• Amps/Cabs: Trentino amps (custom-made by Sal Trentino) (including 2000 Trentino 30w amp), 1998 Savage Blitz 50w 2x12 combo, Marshall 1960B 4x12 slanted cabs, Marshall 1960A/1960B 300w 4x12 straight cabs, Matchless H/C-30 head, Marshall combo tube amp (possibly a 1974X handwired 18w combo), Fender Deluxe, handwired RI Vox AC30
• Effects: Ibanez FL-305, Whirlwind A/B, Ernie Ball 6166 Mono Volume, Dunlop Crybaby 535Q, Klon Centaur, Keeley compressor, Line 6 DL4, Hughes & Kettner Rotosphere, Morgan Miller DT-1, MXR M-132 Super Comp, MXR Phase 90, MXR M-135 Smart Gate, MXR M-133 Micro Amp, Danelectro Dan-Echo, Boss DD-5, Boss DD-3, Boss Hyperfuzz, Boss Stereo Chorus, Ibanez SD-9, Ibanez TS9, DOD Graphic EQ, Boss TU-12H tuner, Diaz Tremodillo, Dunlop UniVibe, Fender Spring Reverb rack unit, Avalon direct boxes
• Other: GHS Boomers (.010-.046) (on electrics), Martin Marquis 80/20 Bronze Mediums (on acoustics)

Eddie Vedder

circa 1997 - 1998

• Mics: Audix OM7
• Guitars: '63 Telecaster (black sparkle), '98 SG (black), '68 SG (white), '68 ES-335 (brown), '87 Rickenbacker 360 (black), '98 Jerry Jones sitar (black), '85 Schecter PT (black, Tele copy)
• Amps: '70s Hiwatt head > Marshall 1960B 4x12 cab
• Other: EBow

circa 2008 - 2010

• Guitars: Martin 000-18 acoustic, '52 RI Fender Telecaster, 1963 Fender Telecaster (black sparkle), 1968 Gibson ES-335, Mosrite 12-string (previously owned by John Entwistle), 1981 Fender Telecaster (black), Fender Telecaster (Black), 1985 Schecter Telecaster (black), 1996 Schecter Telecaster (gold), 1987 Rickenbacker 360 (black), 1998 Jerry Jones electric sitar (black), 1998 Gibson SG (black), Gibson SG (gold, w/ tremolo), Gibson SG Jr. (blue-green), Gibson SG Jr. (red), Mosrite Johnny Ramone Signature, 2001 Gibson SG Pete Townshend Signature
• Amps: Hi-Watt DR-504 50w head, Marshall 1960B 4x12 straight cab, 4x10 Fender Super Reverb
• Effects: Boss DD-5
• Other: EBow, GHS Boomers (.010-.050), D'Addario flatwound strings, Dunlop Tortex .60mm picks
• Other Instruments: 2002 Tululele custom tenor uke, Hohner Marine Band harmonicas (in G), LP tambourines, Remo fruit shakers

Matt Cameron

Source #1

(DRUM! Magazine)

• Drum Kit: Yamaha (in Vintage finish): 24x16 kick, 14x6.5 copper-shell snare, 12x8 and 13x9 rack toms, 16x16 floor tom
• Additional drums: Yamaha Steve Jordan Cocktail Kit: 8" x 5" snare, 10" x 5" tom, 15" x 24" kick tom (in Purple Sparkle Fade); 14x7 Alex Acuña Timbale
• Cymbals: Zildjian: 15" A Sweet Hi-Hats, 19" and 20" A Medium Thin Crashes, 19" A Medium Crash, 16" A Vintage Crash, 22" A Deep Ride, and with cocktail kit: 12" A Custom Splash and 12" Oriental Trash Hat
• Percussion: -
• Hardware: Yamaha hardware
• Other: Vic Firth sticks, Remo heads

Source #2

(Matt Cameron Fan Page)

• Drum Kit: Yamaha Birch Custom Absolute: 16x24 kick, 8x12 and 9x13 rack toms, 16x16 and 18x18 floor toms, 7x14 custom Keplinger snare
• Cymbals: Zildjian: 15" New Beat Hi-Hats, 18" and 19" Z Custom Medium Crashes, 17" and 19" Z Custom Rock Crashes, 20" A Medium Ride or 21" Sweet Ride
• Mics: Shure: SM81 (hi-hats), Beta 52A/Beta 91 (kick), SM57 (snare), Beta 98 (toms), KSM32 (overhead)
• Heads: Remo Emperors (batter), Remo Ambassadors (reso)
• Other: Vic Firth Matt Cameron Signature Series 5B sticks, DW hardware