The Church
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(Created page with '== Peter Koppes == '''circa 2011''' * '''Guitars:''' '00 Stratocaster (blonde w/ maple neck), '09 Gretsch G6131MY Malcolm Young Signature (cherry red), Maton Mastersound MS500 12…')
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(Created page with '== Peter Koppes == '''circa 2011''' * '''Guitars:''' '00 Stratocaster (blonde w/ maple neck), '09 Gretsch G6131MY Malcolm Young Signature (cherry red), Maton Mastersound MS500 12…')
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Revision as of 01:19, 29 March 2011
Peter Koppes
circa 2011
- Guitars: '00 Stratocaster (blonde w/ maple neck), '09 Gretsch G6131MY Malcolm Young Signature (cherry red), Maton Mastersound MS500 12HC 12-String (cherry burst), Dearmond Bajo Jet baritone (black), '00 Taylor 555 12-string acoustic
- Chain: guitar > Boss TU-2 > direct box > one signal to PA, one signal to > A/B/Y switcher - signal one: Boss CS-3 > Digitech DHP-33 Digital Harmony Processor (for pitch-shifting) > Roland DEP-5 multi-FX (via Behringer FCB1010 footswitch) > Sony DPS-V55 multi-FX > effects amp / signal two: Dunlop Crybaby > Boss OD-1 overdrive > Ibanez TS-9 > Boss MT-2 Metal Zone or Dunlop Fuzzface reissue > Boss DM-2 delay > Boss RT-20 > Boss RE-20 or Line 6 DL4 > one signal to dirty amp, one signal to clean amp
- Koppes uses a Behringer FCB1010 MIDI Foot Controller for control switching, patch changes and real-time expression
- Amps: Blackstar HT30H head w/ Blackstar 2x12 cab or Marshall JCM2000 60w 2x12 combo (dirty), 1960s Vox AC30 ('clean), Blackstar Artisan 30 2x12 combo or one of various "clean-sounding" amps (1960s Danelectro 15w combo, Fender Twin, Fender Bassman, JC-120, etc.) (effects)
- Other: Dunlop Nylon .73mm picks, Heet Sound EBow, Fender cables
