Behind the scenes: Wrath of the Marshal
From Jalassociatecomics
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Many permutaions of this basic plot arose, but, since the two had gained considerable experience from their first outing, everything was alot more straightened out, with more time spent on planning. Conceptual shots were done as early as late February, laying the foundations for what was to come. Character design was done at around the same time: Lego minifigs pulled aprt and squeezed together again for all-new friends and foes, including the two main padawans and the mysterious Dark Acolytes (J and L's best minifig design effort to date). | Many permutaions of this basic plot arose, but, since the two had gained considerable experience from their first outing, everything was alot more straightened out, with more time spent on planning. Conceptual shots were done as early as late February, laying the foundations for what was to come. Character design was done at around the same time: Lego minifigs pulled aprt and squeezed together again for all-new friends and foes, including the two main padawans and the mysterious Dark Acolytes (J and L's best minifig design effort to date). | ||
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+ | The comic was planned to be a whole lot bigger and, hopefully, a whole lot better. Many more action sequences and stunts were planned, including a suspenseful opening space scene and a landspeeder chase on Tatooine. Luke's past would also be revisited with a flashback concerning ''a particular'' T-16 Skyhopper race. | ||
Due to a more than hectic schooling schedule, filming and what-not was put off. A trip to the History page will so how far apart progress on this wiki was spread apart. Pity Singaporean schoolboys. In the meantime, the story progressed, and L had an idea of which scenes he'd want to see, while J arranged them in chronological order and began builing the sets (find out more in Building the Comic), though he knew they would not be used for a very long while. | Due to a more than hectic schooling schedule, filming and what-not was put off. A trip to the History page will so how far apart progress on this wiki was spread apart. Pity Singaporean schoolboys. In the meantime, the story progressed, and L had an idea of which scenes he'd want to see, while J arranged them in chronological order and began builing the sets (find out more in Building the Comic), though he knew they would not be used for a very long while. |
Revision as of 04:31, 30 August 2006
Idea Formation
As this portion is being written (30/8/06), Wrath of the Marshal's preliminary filming has begun. But first, back to the idea formation.
A sequel or two had always been in the back of J and L's minds from the beginning, which was very long ago indeed. The plot began to take place in March, with possible ideas tossed out. The basic plan was to bring back the Marshal, presumed dead at the end of the first installment, and delve into his origins and ideals along the way. Two fledgeling Jedi would also star.
Many permutaions of this basic plot arose, but, since the two had gained considerable experience from their first outing, everything was alot more straightened out, with more time spent on planning. Conceptual shots were done as early as late February, laying the foundations for what was to come. Character design was done at around the same time: Lego minifigs pulled aprt and squeezed together again for all-new friends and foes, including the two main padawans and the mysterious Dark Acolytes (J and L's best minifig design effort to date).
The comic was planned to be a whole lot bigger and, hopefully, a whole lot better. Many more action sequences and stunts were planned, including a suspenseful opening space scene and a landspeeder chase on Tatooine. Luke's past would also be revisited with a flashback concerning a particular T-16 Skyhopper race.
Due to a more than hectic schooling schedule, filming and what-not was put off. A trip to the History page will so how far apart progress on this wiki was spread apart. Pity Singaporean schoolboys. In the meantime, the story progressed, and L had an idea of which scenes he'd want to see, while J arranged them in chronological order and began builing the sets (find out more in Building the Comic), though he knew they would not be used for a very long while.