Downfall/A little teasing hurts no one

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< Downfall
Revision as of 19:39, 23 March 2015 by Minnie May Hopkins (Talk | contribs)
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The first song after the commercial break is a song that is dominated by horns and drums. Only a dead body wouldn't be captivated by the rhythm. You pick up where you left before, only that you put more control into your movements. Instead of just moving naturally, you stretch your arms and press your hands against the roof. You sway your body, stretching your chest so your boobs protrude against your shirt. You don't need to keep track if Will is looking; Kirsten takes care of that. You just let yourself overwhelm by the music. The following song has a slower rhythm. You adapt your movements, and the slower pace accentuates your body.

But, things get boring quickly, and the reoccurring interruptions by station trailers kill your mood. After the next generic Gypsy Kings sound-alike, you stop and ignore Kirsten's plight to continue. If she wants to keep on teasing Will, she should do it herself. You aren't interested in any aspect of this incident; you don't even look to see if Will maintained his tent (you would have said tentlet, if there was such a word).


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State of Clothing T-shirt; Shorts; Panties

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